My rating: 4 of 5 stars
Thank you, HarperCollins, for giving me an eARC of this book in exchange for an honest review.
Like life, what gives a story its meaning is the fact that it ends. Our stories have lives of their own—and it’s up to us to make them mean something. —Olivia Kane
Before I read this book, I was a stranger to Francesca Zappia. I remembered that my previous boss at work told me to check out a book named Made You Up, but I only made the connection recently. If you’re planning to pick up this novel in light of your love for the said book, prepare yourself for moments of deep introspection. Also, I beg you not to read the blurb/summary on Goodreads because it contains a major spoiler. (I’m currently thinking of using my librarian privileges to fix the latter problem.)
Eliza and Her Monsters is essentially a character-driven novel. It is about a girl named Eliza (like..duh!), who is extremely introverted. Ironically, she has a massive presence online. Under the pen name LadyConstellation, Eliza publishes a web comic entitled Monstrous Sea. Her work turns out to be so popular, having more than a million readers. Despite her success as an artist, Eliza’s life is not perfect. Her relationship with her parents and siblings is unfathomably strained, and her social life outside of the Web is…nonexistent. Everything starts to change when she meets Wallace, the most popular writer of Monstrous Sea fanfic.
I honestly had a difficult time deciding how I should rate this book. For me, Eliza and Her Monsters is the epitome of the term “mixed feelings”. Even though I didn’t love it, the thought of giving it three stars made me feel unsettled, regretful, even. The strengths and weaknesses of this book played a game of tug of war in my mind. The beautiful writing and story were on one side, while the annoying characters were on the other. Basically, the struggle was real, people.
I have always been a fan of stories that emphasize familial relationships, so I had no trouble delving into this book. Being a devoted hermit, Eliza spent most of her time at home. Logically, she had plenty of opportunities to interact with her family. I loved that Eliza’s parents and two brothers (Church and Sully) were given a lot of screen time. However, I was annoyed by how she treated them. She always snubbed her parents, as if they were obstructions to her happiness in life. As for her brothers, she avoided them because she sincerely believed that they hated her. To put it mildly, Eliza was not a good daughter and sibling. Looking back, Eliza’s parents were not exactly victims. After all, they were so frustratingly permissive.
In a similar fashion, Wallace’s family was placed under the spotlight. His family was actually very fascinating because he had both step siblings and half siblings. (You have to read the book to understand how that happened.) Unfortunately, Wallace also had problems with his parents, particularly with his father. :l I will never get tired of expressing my disdain for this Bad Father Trope in YA. Can’t we have lovable fathers for a change? :p
Now in regards to Eliza and Wallace as a couple, I liked that their relationship was excellently fleshed out. If my memory serves me right, physical appearance wasn’t even described as a catalyst for their love. There were cheesy moments in the book, but romance really wasn’t the main focus of the story.
In the end, I decided to give this book four stars because of its depiction or exploration of mental illness. Wallace reminded me of Mouse from The Problem with Forever (one of my favorite books) because he was a selective mute. He was such an inspiring character because, like Mouse, he didn’t let his condition prevent him from living life to the fullest. As for Eliza, she didn’t show clear symptoms of paranoia (severe anxiety) until the climax, so I was initially confused by the book’s marketing. I realized that this was actually a good thing because it did not give a sense of “exoticness” to mental illness. Throughout the novel, Eliza seemed like a perfectly “normal” and angsty teenager. In other words, I loved that Eliza’s condition didn’t make her any less…human. I had a lot of issues with Eliza, but I understood that the story would have lost its essence if she weren’t such a problematic character. Her growth at the end of book thankfully eclipsed my negative feelings.
Ultimately, I did enjoy this character-driven novel because it made me reflect on significant things like family, introversion, and mental health. I encourage you to add this to your shelf of meaningful YA contemporaries. Now that I’m aware of the author’s talent for emotional play, I am excited to devour more of her works.