My rating: 3.5 of 5 stars
Thank you, Sourcebooks Fire, for giving me an e-galley of this book in exchange for an honest review.
I’d read her story and began drowning in a loss I’d never known was mine. My grandmother was a brilliant author—and I’d never read her books.
Now a Major Motion Picture is marketed as something that fans of Rainbow Rowell’s Fangirl will enjoy. It’s been a few years since I read the latter book, but I can say that the blurb is true to an extent. NAMMP, like Fangirl, features excerpts from a completely original fantasy novel. However, NAMMP is less impactful and more focused on fan culture, particularly in regards to book to movie adaptations. With that in mind, remember to take everything with a grain of salt. Otherwise, you might feel a little disappointed.
The premise of NAMMP is actually unique compared to most of the YA contemporary novels I’ve read this year. It follows Iris Thorne, a girl who wants nothing to do with her late grandmother’s popular book series. Despite her protests, Iris is sent to Ireland for the film adaptation of Elementia. She yearns for the film to become a commercial failure, but the possibility of finding love, friendship, and her musical identity gradually shakes her resolve. By the end of the film’s production, she might have to say good-bye to her “Jaded Iris” title.
The first thing I liked about this book was its depiction of fan culture. It was easy for me to relate to how the hardcore fans of Elementia feared that the film would deviate too much from the book series. It is an undeniable fact that although we bookworms love to see our beloved characters come to life on screen, we are rarely pleased by book to movie adaptations. We just can’t help but see the creative license of the film industry as a catalyst for bookish sacrilege. xD
It was also fascinating that NAMMP explored the “dark side” of fandom: it can cause people to emotionally or physically harm others. Iris did have a lot issues about Elementia, but the underlying reason for her hatred was justified. Her life would have been less complicated if a delusional fan hadn’t terrorized her baby brother.
Another thing I enjoyed was the book’s enlightening discussion of sexism in the film industry. Cate, the director of Elementia, was underestimated because of her sex. Her production company was very patriarchal, so it was more than willing to cut her budget or cancel the film (which was supposedly a Feminist take on Lord of the Rings). Thankfully, Cate refused to back down, determined to prove that women were a force to be reckoned with in both film and literature.
My problem with NAMMP was something that I had already encountered in many contemporary books: the Bad Parent(s) trope. Iris’s dad was a complete jerk, while her mom was almost nonexistent. Iris’s dad was practically the antagonist in the story because he was a fountain of stress and resentment. In light of his undignified attitude, I wasn’t surprised that Iris and Ryder treated him like he was anything but their parent. Personally, I really dislike it when contemporary books portray parents as the bad guys because it doesn’t promote a healthy understanding of family life. Some people may say that this trope simply reflects reality because there are many bad parents in the world. Still, what’s the point of further discouraging readers?
In totality, I gave NAMMP 3.5 stars because it was both fun and enlightening to read. If you are interested in literary discussions on fan culture and Feminism, you should give this book a shot. Just tread carefully if you are triggered by the Bad Parent(s) trope.